Thursday, April 28, 2011

Blog Prompt #26

Brainstorms! (In an effort to expand, improve, add complexity, and push your final projects further, please pick 10 of the following to discuss.)
1.    2.    At the deepest core, describe why you like this project. Dig deep!   Throughout this class I have struggled with putting my vision of the photographs into my work.  I know what I see but haven’t always been able to create the idea so it’s visible to others.  I also don’t think that I’ve been as creative as I could have been.  I attribute this partially to the situation of the past year, i.e., losing my job, buying a new house and getting divorced but also that I haven’t pushed myself as hard as I should. This project is far outside my safety zone but I believe it will be a catharsis to my healing as well as make me look into how I think, feel about myself and how I can heal and be a better, stronger me.  I generally place myself behind others and so putting me into this project is something that I normally would not do.   I like this project because it is pushing me to really work at being creative artistically while attempting to share a very intimate part of my life.  It also makes me look at it with a critical, objective mind to ensure that it holds interest to an observer. 
1.    Type twenty words or phrases that relate to your project. Recovery, growth, devastation, history, life changing events, changing perception, new persona, imagination, happiness, worry, fear,  joy , progress, sadness, rediscovery of who I am, stepping out of my box, discovery, insecurity, appreciation for the blessings in my life and things learned about myself that I never realized!
3.    Look at one of your images. Redesign it entirely. The photo I would redesign is of me lying in bed.  I would change the shirt I have on and make it a subdued dark color to take away the ‘fun’ element of the sheep.  I think it adds interest because of the busy design of the sheets under the repeat pattern of the sheep.
4.    List your assumptions about your project. Reverse these. This project is an interpretation of how I have felt over this past year and the recovery of self-esteem, confidence and happiness that has been absent in my life recently.  I believe that when someone looks at the project they will be able to understand the pain that I have endured as well as the growth that has occurred throughout the year. 
5.    What would your project look like 100 years ago? What would your project look like 100 years in the future? If my project were created 100 years ago the entire feeling would be lost.  Women weren’t allowed to leave an unhappy marriage without repercussions so the photos would not be able to progress from sadness/depression to freedom/happiness, it would have to go from depression to feelings of imprisonment.  I wouldn’t have the freedom to portray my emotions because of the constraints placed on women at that time, treated as a piece of property rather than an individual.  If this were to occur 100 years from now the last picture in the series would be me as president of the United States or queen of the world!  Changes are occurring for women much quicker today than even 10 years ago.  My goal is to have my story end with me being the queen of my world, in control of things that I’ve been unable to control in the past as well as to find inner peace with the world I create for myself.
6.    Remove something from your project. How does it change? If I were to remove the black and white photos in the beginning of the series of shots it would detract from the effect of the darkness I felt throughout this journey.  If I were to remove the double exposed photographs of me I think it would lose an important feeling needed to make this project successful.
7.    Persuade the reader that your project works well and is the most amazing project you have ever completed. The interpretation of personal growth throughout the photos will show the observer that there was clearly a very dark period that I struggled through and will show success with the final picture of me graduating from MSU.  A goal that I have worked towards for many years.
8.    Think of one of your most memorable dreams. How could you add elements from this dreams to your project?  The dream that comes to mind was last year when a very close friend of my family was nearing the end of his life because of cancer.  He and my late father were best friends and truly enjoyed one another’s company.  Two days before his death I dreamt that my dad was at my house and I asked if he were here to take Jack.  He said, not yet, he was here for someone else.  To incorporate this dream into my project I would add something that represents a higher power to me, perhaps a cloud in a specific shape or an icon representative of my beliefs.  My belief has helped me through this year in ways that are difficult to put into words.  That dream signifies to me that even though we all face struggles; if we believe we will have support from above.
9.    How would you convert your project into a narrative? How would you remove any narrative from your project?   To create a narrative with my project I would use words to describe the emotions seen in the photographs, such as despair, joy, etc.  The person would clearly see what the photos were representing rather than guessing at the emotion.  To remove the narrative I would mix the pictures up and not put into chronological order.  That would disallow a timeline that tells the story of the past year.
10.  Name an artist/photographer/designer/videographer who would hate your project. Why? I don’t believe Ansel Adams would appreciate my project because his photographs often represent nature and the beauty of the land.  Although the photos are generally dark because he uses black and white, they represent a light feeling for the most part.  This project would be on much too personal level for the type of pictures he generally takes.  I think the subject would be too dark.

Thursday, April 21, 2011

Tuesday, April 12, 2011

Written Asignment #5

This assignment was a fun project to take photographs for.  I felt that I was able to be more creative because I was able to utilize different people/places that applied to the prompts we were given and going to Florida gave me the opportunity to shoot new material and gave me incentive to step out of my box.  I am working on using Photoshop but am still in the learning process. 
In the photo, Day 2, a 5 year old girl came to the pool one day and she was dressed and ready to swim.  I asked her mom if she cared if I took some pictures of her.  Unfortunately I missed pictures of her trying to get in the pool with her fins on but got some candid shots of her before she started her adventures.  This was only her 2nd day ever putting her face under water. 
The photos ‘Transformation’ is of the 3 girls I took to Florida.  They had their makeup done at Animal Kingdom and I thought they looked exotic, youthful and intense all at the same time.  It changed them from ordinary tourists to girls that people would stop and ask where they had gotten it done.  It was fun to watch the reaction at the other parks.
Self-portrait is my first step at getting back into the world and showing my face in a photo.  I was using a mask and decided I wanted to create different faces which indicate my different moods and emotions.  Was silly but fun and I got a facial!
The one legged bird was interesting because of the lighting on the beach that day.  It was a cloudy, dreary day so I enhanced some of the colors using Photoshop.  It gave the photo more depth and interest.
Finally, the last photo is a collage of the things we saw and did.  We had a 4 hour delay on our way so the girls asked if they could do my hair.  They liked it until I left it in and talked to passersby’s! 
                                                                                                                                               

Assignment 5


One legged bird

Self-portrait - moods

Vacation

Thursday, April 7, 2011

Blog #24

A.    Pick two images from any of the “constructed reality” photographers presented in class or linked on the assignment sheet. Describe how you could recreate these two images on a “smaller scale”.

Photographer Rommert Boonstra – The History of Forgetting Series.
Photo 1.
 Photo 2.

1.       The way I would recreate this photo would be to use a real doll as opposed to a photo of a child.  I would utilize a modern doll, dressed as girls dress today but adding keys around the neck to keep it similar to the original.  I would find a decorative box the doll came in and use it to frame the photo.  The doll would also have a somber face like the one used by Mr. Boonstra.
2.      To recreate this photograph I would reverse the size of the hand, using a doll’s hand and make the chair larger than the hand, creating a different effect.  I would use the inside of a banana box with the cardboard ridges and holes on the sides that would give the picture more of a 3-D look and provide different lighting than the photo  by Mr. Boonstra.  Instead of throwing a white substance I would use pepper to change the effect blowing on the chair. 

B.  Describe your plans for your self-proposed final project (if the plan is the same as before, paste it here again and give a bit more detail). During the final critique for Assignment #5, you will discuss/present these ideas to the class.
I have not started the preparation for the final project yet.  Will add information to this blog once I speak to Sarah about the process.

Blog Prompt #25 My photo show

 

CURTIS WEHRFRITZ  As Above, So Below, Andrea.  This photograph would be added to my show for its surreal quality.  It is difficult  to determine where the woman ends and the bird begins.  Her hair appears to be flowing along with the birds wings.  The sepia tones give it a unique look. 
ERIN SPENCER  Untitled 2001 (Self-portrait series/Bedroom #17).  I went back to past issues to obtain additional photographs because I wasn’t fond of the others recently submitted.  This picture immediately drew my eyes to the socks.  Reminding me of both socks worn by clowns as well as Ronald McDonald.  The use of the shiny skirt and slippers offset the whimsical feel of the striped socks.  It feels like a fun picture to me.
 
ELLEN PUCCIARELLI  Angel In Soho, London.  I was immediately drawn to this photograph because of the wings.  My youngest daughter was very fond of wings when she was little and this photograph instantly brought a smile to my face remembering.  The wings are so out of place in the middle of the city that I believe it allows the observer to create a story in their own mind of what the significance of the wings are.
 
Francis A. Willey, Medea.  I would present this photograph in my show because of the ethereal feel of the model.  It is playful with her showing only one eye, the 2 leaves in the vase and the background.  It has a light energy and feeling of surprise and playfulness.
 
TERESA FLOWERS  Teresa from the Polaroid Series  As a general rule I am not  drawn to nude photos but I like the placement of her body with her arms above her head, her look of shyness and sullenness.  I also like the fact that she is a full figured model and not rail thin as magazines often use, creating a true photograph of what women truly look like in real life.
 MONICA DENEVAN  Matador, Burma, 2003  This photograph is titled “Matador” but instead of being a man urging a bull on, it appears to me as if the blanket he is holding up is being used as a sail to propel the boat.  What I like about this photo is that it can be interpreted in many different ways.  I like the use of wind with the water and boat that allows one to create many stories.

 Nicola Wenman.  Passage.  I chose this photograph because it reminds me of the woods I grew up playing in when I was younger.  It reminds me of innocence and memories with family and friends.  The hands showing through the tree adds mystery to the overall effect; or could be those of a child playing hide and seek and waiting to be found.